Showing posts with label dynamic. Show all posts
Showing posts with label dynamic. Show all posts

Friday, July 2, 2021

Carrigallen Display fonts from Tony Fahy Font Foundry - (xozlf)

Carrigallen Display

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


The Carrigallen family of fonts has roots in Megalithic and Celtic Ireland. It has six weights—Light, Regular and Bold and their corresponding italics. The distinctiveness of the Carrigallen family, is in it's sculpted, spiral nature, inspired by the graphics at the entrance stones and kerbstones at the Newgrange passage graves in Ireland. This is where it derives it’s decorative nature and suitability, as a very distinct Display font. 


Exceptionally suited for Logos and Headlines, it can increase the corporate presentation of a company as its main identifying feature—and with high memorability!


The three separately designed letterforms—differing in line weight—are held in place by the white space within and without the character giving a distinctive twenty first century flavour! It is this dynamic that makes the font unique!


Carrigallen Display is a modern font. It draws from its nomadic influences allowing it to be culturally representative of all languages.


Carrigallen Display
Carrigallen Display



Carrigallen Display


Monday, November 2, 2020

[oojnjgxcpo] Download Basco Std Fonts Family From Typofonderie

Download Basco Std Fonts Family From Typofonderie


A mix of Renaissance & tropical atmosphere


Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms.


The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c.


Basco minisite



Download Basco Std Fonts Family From Typofonderie


Tuesday, September 1, 2020

Download Airco Std Fonts Family From Typofonderie

Download Airco Std Fonts Family From Typofonderie


Designed between italic and script styles


Airco is a typeface designed between italic and script styles. The letterform finish is rounded. Designed ultra slanted (27°), the shapes evoke a fast and assertive movement. The result is a human typeface, dynamic, that will visually work well in technology and sport, without ever being dry, rigid or dehumanized. The structure of the letters is influenced by Renaissance italics, at the difference that in the case of Airco, the lowercases and capitals are visually homogeneous thanks to the giants lowercases. In fact, the default numerals can be used in capital as well lowercases settings.



Download Airco Std Fonts Family From Typofonderie


Download Audace Std Fonts Family From Typofonderie

Download Audace Std Fonts Family From Typofonderie

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Between geometry & shapes inspired by nature, in 4 fonts


Audace was born as a response to a simple brief: how to visually express human interaction and technology with abstract forms? The starting point is a humanistic sanserif, to which are added external references: design pieces, furniture, buildings. Architects shape our world with the intention to reconnect nature, human and address a perfect functionality. Not so far to typeface design which combines a personal vision and ensures good legibility in a certain context.


Audace — like the works of those artists, designers, architects — is clearly influenced by the tension of the line, the play with negative space, the dynamics, the surprise, the nature that will influence the shapes of the letters. So if a v is asymmetrical, and the y based on similar asymmetry but in reverse, these two shapes help to distinguish from one to the other. This is a consequence of the influence of forms from design and art in the design of the Audace. And this small example illustrates the confrontations of the designer’s influences: the search for the most unique shapes, but without compromising on function: to be read, to be legible, even at very small size in the worst conditions.


Audace, between geometry and shapes inspired by nature


Download Audace Std Fonts Family From Typofonderie
Download Audace Std Fonts Family From Typofonderie



Download Audace Std Fonts Family From Typofonderie


Thursday, April 2, 2020

Download Architype AD-2014 Fonts Family From DePlictis Type

Wednesday, October 9, 2019

Download Lambola Fonts Family From ARToni